{"id":3241,"date":"2016-06-23T14:44:46","date_gmt":"2016-06-23T14:44:46","guid":{"rendered":"http:\/\/www.yolunezeli.com\/?p=3241"},"modified":"2023-12-16T20:05:47","modified_gmt":"2023-12-16T20:05:47","slug":"miracin-evrensel-kokeni-ve-gec-hitit-anitlarinda-bir-mirac-sahnesi","status":"publish","type":"post","link":"https:\/\/www.yolunezeli.com\/?p=3241","title":{"rendered":"BALI\u011eIN KARNINDAK\u0130 YUNUS , M\u0130RACIN EVRENSEL K\u00d6KEN\u0130 VE GE\u00c7 H\u0130T\u0130T ANITLARINDA B\u0130R M\u0130RA\u00c7 SAHNES\u0130"},"content":{"rendered":"

M\u0130RACIN EVRENSEL\u00a0 K\u00d6KEN\u0130 \u00a0VE\u00a0 \u00a0GE\u00c7 H\u0130T\u0130T ANITLARINDA B\u0130R M\u0130RA\u00c7 SAHNES\u0130<\/strong><\/p>\n

Kemal SOYER .Y.Mimar.<\/strong><\/p>\n

K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 K\u00fclt\u00fcr ve Tabiat Varl\u0131klar\u0131n\u0131 Koruma Eski Genel M\u00fcd\u00fcr\u00fc<\/p>\n

(Telif haklar\u0131 taraf\u0131ma ait olup izinsiz al\u0131nt\u0131 yap\u0131lamaz ,kullan\u0131lamaz)<\/em><\/p>\n

S\u00fcmer mitolojisinde tanr\u0131lar\u0131n yaratt\u0131\u011f\u0131 ilk insan; Lulu, Oannes, Alulim ve Adapa gibi adlarla an\u0131lm\u0131\u015f, onun insano\u011fluna yaz\u0131y\u0131, bilimi ve g\u00fczel sanatlar\u0131 \u00f6\u011freten ilk bilge ve tanr\u0131lar tanr\u0131s\u0131 AN\u2019\u0131n huzuruna \u00e7\u0131kan ilk insan oldu\u011fu belirtilmi\u015ftir. Sumerlerde insanl\u0131\u011fa dil ve yaz\u0131y\u0131 \u00f6\u011freten ilk bilge bo\u011fa boynuzlu ve bal\u0131k donlu H\u0131z\u0131r Kal Enki olup, Oannes’ten Yunus Nebi (yaz\u0131c\u0131) ad\u0131yla an\u0131lm\u0131\u015f, Semavi dinlere bal\u0131\u011f\u0131n karnindaki Yunus motifiyle gecmistir. Lulu’nun tanr\u0131 soylu ilk insan olu\u015fu, Hakk ile Hakk olan insan, tanr\u0131-insan \u00f6zde\u015fli\u011fi, tanr\u0131 -kral , tanr\u0131n\u0131n suretini ta\u015f\u0131yan halife insan, tanr\u0131 o\u011flu \u0130sa ve Tanr\u0131 Enlil (El-Bel) ve o\u011flu Tanr\u0131 Baal’den kaynakl\u0131 “belo\u011flu” gibi dini motiflerin k\u00f6kenidir.<\/p>\n

Lulu’nun Oannes ad\u0131 ile Tanr\u0131n\u0131n\u00a0Baal\u00a0adlar\u0131 kadim\u00a0Anadolu Alevili\u011finin-S\u00fcmerlerin evrensel de\u011ferlerini H\u0131ristiyanl\u0131\u011fa uyarl\u0131yan\u00a0Papal\u0131k kurumunca Johannes (\u0130oannes) ve St.Paul adlar\u0131yla kullan\u0131lmakta olup, onun Oannes-Yunus ad\u0131ndan kaynakl\u0131 bal\u0131k adam imgesi Papalar\u0131n Bekta\u015fi Babalar\u0131ndan a\u015f\u0131rd\u0131klar\u0131\u00a0 bal\u0131k a\u011f\u0131zl\u0131 ba\u015fl\u0131klar\u0131yla sembolize ediliyor.Papa kelimesi ise, tanr\u0131 ve insan\u0131n ilksel babal\u0131k niteli\u011fini belirtmektedir. \u0130lk insan\u0131n Lulu ad\u0131, Zazaca er-di\u015fi insan\u0131 kar\u015f\u0131layan \u201cLo-La\u201d ile Tanr\u0131 Enlil (En-Lil-La) ve babas\u0131 AN\u2019\u0131n ad\u0131yla olu\u015fan “Lolan” halk \u00a0adlar\u0131yla ya\u015famaktad\u0131r.<\/p>\n

Resimler ; Tanr\u0131 H\u0131z\u0131r Kal Enki (Oannes) \u00a0 ve Papa Johannes (\u0130oannes)Paul<\/p>\n

\u00a0\"Papa<\/a>\u00a0 \u00a0 \u00a0\"220px-Dagon_2\"<\/a><\/p>\n

Lulu’nun Tanr\u0131\u00a0Enki\u2019nin Ea \u00a0ad\u0131 ile \u00a0ba\u015f tanr\u0131 AN\u2019\u0131n adlar\u0131ndan olu\u015fan \u201cOannnes”ad\u0131, Alevili\u011fin Varl\u0131\u011f\u0131n Birli\u011fi ilkesiyle\u00a0<\/span>\u201cbir ben vard\u0131r benden i\u00e7eri” <\/em>s\u00f6z\u00fcyle evrenin\u00a0ayn\u0131 vardan var oldu\u011funu kavratan \u00a0Yunus Nebi\u00a0veya\u00a0Yunus Emre ad\u0131yla,<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"220px-Dagon-Yunus\"<\/a><\/p>\n

Sudan karaya \u00e7\u0131kan ilk tanr\u0131 -bal\u0131k\u00a0adam\u00a0\u00a0: El-EL =Lulu-Oannes-Yunus<\/em><\/p>\n

Varl\u0131\u011f\u0131n Birli\u011fi ilkesiyle \u00a0tanr\u0131 ve insan\u0131n \u201cher yer \u00a0ve \u00a0her \u00a0\u015feyde haz\u0131r ve naz\u0131r olan\u201c<\/em>\u00a0 varl\u0131ksal nitelikleri H\u0131z\u0131r Lale\u00a0ad\u0131yla,<\/p>\n

Tanr\u0131n\u0131n evrendeki ilk yaz\u0131 olma niteli\u011fi ise, H\u0131z\u0131r Nebi ad\u0131yla tan\u0131mlanm\u0131\u015f, S\u00fcmerlerin ilk kral\u0131 olan Alulim ad\u0131 da, Hurrice Tanr\u0131lar Tanr\u0131s\u0131 Alalu\u2019dan kaynaklanm\u0131\u015ft\u0131r.<\/p>\n

S\u00fcmerce \u201cbilge\u201d anlam\u0131na gelen Adapa ad\u0131,\u201cEduba\u201ddenilen yaz\u0131 ve tablet odas\u0131n\u0131n, dolay\u0131s\u0131yla edep, erkan, edebi ve edebiyat kavramlar\u0131n\u0131n k\u00f6kenidir. Lulu\u2019nun bilgeli\u011fi, tanr\u0131n\u0131n Baal-Ga ad\u0131na dayanmakta, bu s\u0131fat g\u00fcn\u00fcm\u00fczde Lulu\u2019dan kaynakl\u0131 halk\u0131n Baalga (Baalka) san\u0131 ve Bal\u0131k Ziyaretleriyle\u00a0ya\u015famaktad\u0131r. O\u2019nun Varl\u0131k Deryas\u0131ndan do\u011fan insan s\u0131fat\u0131 \u201dA.ABBA LULU temelli Abdal, geyik ve bal\u0131k adam anlam\u0131nda \u201dLULUMAS\u201d ile \u201cMose\u201ddir. \u00a0Bu adlar geyik donlu Abdal MUSA Sultan\u2019\u0131 tan\u0131mlamaktad\u0131r.Pir Sultan Abdal’\u0131n “Ben Musa’y\u0131m sen Firavun ,\u0130krars\u0131z \u015feytan-\u0131 lain<\/em>” s\u00f6zleri ise,Musa donuna b\u00fcr\u00fcnerek Anadolu’yu\u00a0i\u015fgale \u00e7al\u0131\u015fan \u0130brani Musa’y\u0131 tan\u0131mlamaktad\u0131r.\u0130lk insan\u0131 tan\u0131mlayan \u201cAdem\u201d ad\u0131, S\u00fcmerce \u00e7ocuk-o\u011ful anlam\u0131na gelen \u201cDUMU\u201d ile Hitit\u00e7e Ata ve Ama(tanr\u0131 ata ve ana) i\u00e7erikli Adamma\u2019dan dan kaynakl\u0131 olup, S\u00fcmerce \u0130nsan LU, insano\u011flu kavram\u0131 da\u201d DUMU.LU. ULU. LU\u201ddur. Alevili\u011fin “Dem-i Ali” veya “Dem Alidendir” s\u00f6zleri de S\u00fcmerce “Dumu-Lu”denilen insan\u0131\u00a0ve di\u011fer varl\u0131klar\u0131 olu\u015fturan su damlas\u0131n\u0131,yani varolu\u015fsal evreni demi kavrat\u0131yor. Bekta\u015fili\u011fin\u00a0“Halk tanr\u0131d\u0131r,Tanr\u0131 Halkt\u0131r” anlam\u0131ndaki “El Hakk-u H\u00fcv-el Halk- V-el Halk-u H\u00fcv-el Hakk”<\/em> deyimi de S\u00fcmerlerin Nam. DUMU.LU.ULU.LU \u015feklindeki “Varl\u0131\u011f\u0131n Birli\u011fi\u00a0”\u00a0ile “Dem-i Ali’yi” kavratmaktad\u0131r.<\/p>\n

Alevili\u011fin Dem-i Ali kavram\u0131\u00a0evreni, felsefi, k\u00fclt\u00fcrel ve inan\u00e7sal boyutlar\u0131yla a\u015fa\u011f\u0131da sunulan Tanr\u0131 Tarhunda, belinden sarkan \u00fcz\u00fcm salk\u0131mlar\u0131\u00a0ve kar\u015f\u0131s\u0131nda peyman\u00e7e pozisyonunda duran kralla\u00a0ifade edilmi\u015ftir.<\/p>\n

Alevili\u011fin \u201cinsan hakta, hak insanda ne ararsan bak insanda<\/em>\u201d deyimiyle de kavranabilece\u011fi gibi, tanr\u0131n\u0131n \u00f6z\u00fcn\u00fc, demi ve suretini ta\u015f\u0131yan insan ile Hakk\u0131n varolu\u015fsal birli\u011fi temelinde G\u00f6k Tanr\u0131s\u0131 AN LULU (Enlil), insan \u00e7ifti LULU, kozmik cemiyet NAM.DUMU LU.ULU.LU, d\u00fcnyevi cemiyet \u201cDUMU. LU.ULU.LU\u201d,evren ise ANK\u0130 ve Anadolu ad\u0131yla ,\u00f6z\u00fc “An-\u0131 Daim”de tanr\u0131yla birlikte olan Alevi Halk\u0131 da g\u00f6klere y\u00fckselen, \u00f6z\u00fcyle bulu\u015fan G\u00fcr\u00fch-u Naci s\u0131fat\u0131yla tan\u0131mlanm\u0131\u015ft\u0131r. Bu evreni ger\u00e7ekle Alevilik, insan\u0131 tanr\u0131n\u0131n \u00f6z\u00fc, g\u00f6n\u00fcl Kabe\u2019si ve K\u0131blesi olarak tan\u0131mlam\u0131\u015f, tanr\u0131yla bir olmay\u0131, g\u00f6klere veya miraca y\u00fckselerek Hac\u0131 olmay\u0131 \u201cHakk ile Hakk\u201c olmak temelinde Yunus EMRE\u2019nin a\u015fa\u011f\u0131daki dizeleriyle ebedile\u015ftirmi\u015ftir.<\/p>\n

Muhammed ile bile M\u0130RAC\u2019a a\u011fan benim<\/em><\/p>\n

ASHAB-I\u00a0 SUFFE\u2019yile yal\u0131ncak olan benim<\/em><\/p>\n

Sabr ile kanaat\u0131 viribidim bunlara<\/em><\/p>\n

KIRK K\u0130\u015e\u0130 bir g\u00f6mlekten ba\u015f\u0131n \u00e7\u0131karan benim<\/em><\/p>\n

O K\u0131rk\u0131ndan birine ne\u015fteri \u00e7ald\u0131m idi<\/em><\/p>\n

KIRK\u2019\u0131ndan kan ak\u0131t\u0131p ibret g\u00f6steren benim<\/em><\/p>\n

Adem Peygamber ile Havv\u00e2 yarat\u0131lmadan<\/em><\/p>\n

U\u00e7mak\u2019tan s\u00fcr\u00fcl\u00fcben o m\u00fcflis olan benim<\/em><\/p>\n

Ad\u0131m\u0131 YUNUS takt\u0131m s\u0131rr\u0131m \u00e2leme \u00e7akt\u0131m<\/em><\/p>\n

Bundan ileri dahi dilde s\u00f6ylenen benim<\/em><\/p>\n

YUNUS EMRE<\/em><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/p>\n

Adapa’n\u0131n Mirac\u0131;<\/strong><\/p>\n

Yar\u0131 tanr\u0131 niteliklerine sahip Adapa, S\u00fcmerde Eridu \u015eehrinin Kral\u0131d\u0131r.Bir g\u00fcn denizde bal\u0131k avlarken sert esen G\u00fcney R\u00fczgar\u0131 teknesini bat\u0131r\u0131r.Adapa r\u00fczgara k\u0131zar ve kanatlar\u0131n\u0131 k\u0131rar.Bunun \u00fczerine hesaba \u00e7ekilmek \u00fczere Cennetteki Tanr\u0131lar Tanr\u0131s\u0131 AN\u2019\u0131n huzuruna \u00e7a\u011fr\u0131l\u0131r. \u00d6l\u00fcm ekme\u011fi\u00a0 ve suyu verilerek cezaland\u0131r\u0131lmas\u0131 kararla\u015ft\u0131r\u0131lm\u0131\u015f olan Adapa, Enki taraf\u0131ndan \u201cverilecek ekme\u011fi yeme,suyu i\u00e7me\u201cs\u00f6zleri tenbih edilerek tanr\u0131n\u0131n huzuruna g\u00f6nderilir.Tanr\u0131 AN\u2019\u0131n \u00a0kap\u0131 muhaf\u0131zlar\u0131 olan Dumuzi ve Gi\u015fzida\u2019n\u0131n \u00a0Adapa\u2019y\u0131 tutarak tanr\u0131y\u0131 yumu\u015fatmalar\u0131 sonucu Tanr\u0131 An kendisine \u00f6l\u00fcms\u00fczl\u00fck ekme\u011fi ile suyunu verir. Ancak Adapa almaz. Sorulmas\u0131 \u00a0\u00fczerine tanr\u0131lardan birinin \u00a0verilen yiyecek ve i\u00e7ecekleri almamas\u0131n\u0131 tenbih etti\u011fini s\u00f6yler.Bunun \u00fczerine Tanr\u0131 An onu D\u00fcnyaya \u00f6l\u00fcml\u00fc bir fani olarak geri g\u00f6nderir.B\u00f6ylece insano\u011flu \u00f6l\u00fcms\u00fczl\u00fck \u015fans\u0131n\u0131 kaybeder(1).\u0130lk insan\u0131n tanr\u0131yla bulu\u015fmas\u0131na ve ya miraca \u00e7\u0131k\u0131\u015f\u0131na kaynakl\u0131k eden bu mitolojik \u00f6yk\u00fc, daha sonra Semavi\u00a0 dinlerdeki mira\u00e7 sahneleriyle paralellikler g\u00f6sterir.<\/p>\n

K\u00fclt\u00fcrel olarak Mirac\u0131n\u00a0ilk mekanlar\u0131ndan biri S\u00fcmer Tanr\u0131s\u0131 Enlil’e adanan Nippur Zigurat\u0131’ d\u0131r. Arap\u00e7a “mira\u00e7 “merdiven demektir<\/strong><\/p>\n

S\u00fcmerlerin b\u00fcy\u00fck tanr\u0131s\u0131 ENL\u0130L i\u00e7in Nippur\u2019da \u00a0tepesinde \u00dclkelerin Da\u011f\u0131 anlam\u0131na gelen “HURSAG KURKURRA” ad\u0131 verilen\u00a0 Tanr\u0131 Makam\u0131’n\u0131n\u00a0 \u00a0bulundu\u011fu\u00a0 yedi katl\u0131 bir Zigurat yap\u0131lm\u0131\u015f, memleketi \u00a0y\u00f6netecek olan krallar bu tap\u0131nakta tanr\u0131 ad\u0131na hareket eden Halife Babalar\u0131n (Helippi) i\u015faretiyle se\u00e7ilmi\u015f, krallar\u0131n asa ve ta\u00e7 giyme t\u00f6renleri bu tap\u0131nakta ger\u00e7ekle\u015ftirilmi\u015ftir. Ziguratlar\u0131n Tanr\u0131 Makam\u0131na\u00a0 konulan heykellerin \u00f6n\u00fcnde dara durup h\u0131rka ve ta\u00e7 ku\u015fanan krallar mira\u00e7, s\u0131rat ve mira\u00e7 merdiveni motiflerine temel olmu\u015ftur.\"Zigurat<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Babilde Zigurat (Yeniden Canland\u0131rma)<\/p>\n

Resimdeki hisar ile ortas\u0131ndaki\u00a0kule bi\u00e7imli Zigurat,Alevili\u011fin \u00a0tanr\u0131y\u0131 ve makam\u0131n\u0131 tan\u0131mlayan\u00a0\u00a0“H\u0131z\u0131r Qal” ad\u0131n\u0131n \u00a0k\u00f6kenidir.<\/em><\/p>\n

Hitit An\u0131tlar\u0131yla Hitit, S\u00fcmer ve\u00a0 Akad D\u00f6nemine ait ele ge\u00e7en \u00a0silindir m\u00fch\u00fcr bask\u0131lar\u0131nda ,g\u00f6k, hava, f\u0131rt\u0131na, su ve toprak tanr\u0131lar\u0131n\u0131n huzurunda dara duran\u00a0 kral ve tanr\u0131lara ili\u015fkin y\u00fczlerce mira\u00e7 sahnesi yer alm\u0131\u015ft\u0131r.Bu tarihi\u00a0 belgeler edebi,dini ,k\u00fclt\u00fcrel ve idari i\u00e7erikleriyle geni\u015f \u00f6l\u00e7ekte i\u015flenmek \u00fczere ba\u015fka bir \u00e7al\u0131\u015fmaya b\u0131rak\u0131lm\u0131\u015f olup, mira\u00e7 konusuna \u00f6rnek olarak Ge\u00e7 Hititler D\u00f6nemi Tuvana (Ni\u011fde) Kral\u0131 Warpalavas\u2019\u0131n \u0130.\u00d6.8.YY.la tarihlenen Konya-Ere\u011fli \u0130vriz Kaya An\u0131t\u0131na i\u015flenen Tanr\u0131 Tarhunza\u2019n\u0131n huzurundaki mira\u00e7 sahnesi verilmektedir.<\/p>\n

A\u015fa\u011f\u0131daki kabartmada Hitit\u00e7e Tarhunda ad\u0131yla belirtilen tanr\u0131n\u0131n Halk dilindeki ad\u0131 HAZZ\u0130 KUNTARA SAL KUNDURA ,temelinde \u0130SKENDER_\u0130 Sal Kondur,Boynuzlu ba\u015fl\u0131\u011f\u0131yla da, \u0130skender-i Z\u00fclkarneyn ‘dir.<\/p>\n

\"<\/a><\/p>\n

“Ali bizim \u015fah\u0131m\u0131z, Kabeyle K\u0131blegah\u0131m\u0131z,<\/strong><\/p>\n

Mira\u00e7taki Muhammet,O bizim Padi\u015fah\u0131m\u0131z “<\/strong><\/p>\n

Halkap\u0131nar Baraj\u0131 kenar\u0131ndaki masif kayalardan birine 4.20 x 4.20 m \u00f6l\u00e7\u00fclerinde i\u015flenen an\u0131tta, gamal\u0131 ha\u00e7 bezekli ku\u015f etekli h\u0131rkas\u0131,kollar\u0131 ve boynundaki zinciriyle Tanr\u0131 Tarhunza\u2019ya bend olup,kayaya konmu\u015f g\u00fcvercin imgesindeki kral,tanr\u0131ya bir arpa boyu mesafede yakla\u015fm\u0131\u015ft\u0131r. Kral\u0131n kar\u015f\u0131s\u0131ndaki tanr\u0131; ba\u015f\u0131nda ye\u015feren bo\u011fa boynuzlu ba\u015fl\u0131k, bedeninde etekleri ko\u00e7 ba\u015fl\u0131, yensiz, yakas\u0131z h\u0131rka, belinde asma dall\u0131 kemer ve \u00fcz\u00fcm salk\u0131mlar\u0131, bir elinde \u00fcz\u00fcm salk\u0131m\u0131, di\u011ferinde aya\u011f\u0131n\u0131n alt\u0131ndan biten arpa veya bu\u011fday ba\u015faklar\u0131,aya\u011f\u0131nda ise sal bi\u00e7imli kunduralarla betimlenmi\u015ftir. Tanr\u0131n\u0131n sa\u011f aya\u011f\u0131n\u0131n alt\u0131nda bir ejderha kabartmas\u0131 yer almaktad\u0131r. Tanr\u0131, kar\u015f\u0131s\u0131ndaki krala r\u0131za lokmas\u0131 imgesinde arpa veya bu\u011fday ba\u015faklar\u0131 ile Dem-i Ali imgesindeki \u00fcz\u00fcm salk\u0131m\u0131 uzatmaktad\u0131r.Elindeki salk\u0131mla El Taru adl\u0131 Tanr\u0131, Zazaca el “dest”, ya\u015f \u00fcz\u00fcm “tiri” temelinde”Destur Pir” ile “Demi-i El” temelli Dem Ali ,kral ise kar\u015f\u0131s\u0131ndaki Hakk\u0131n \u00f6z\u00fc, kelam\u0131 ve demiyle dolu peymane bir can veya Dumu Lulu imgesindedir.(Peymance Hakk kadehi-dolusu anlam\u0131ndad\u0131r) Tanr\u0131n\u0131n aya\u011f\u0131yla ezdi\u011fi ejderha,suyun ba\u015f\u0131n\u0131 kesen ejderhalar\u0131 \u00f6ld\u00fcren Ali motifleriyle devam etmi\u015ftir.Tanr\u0131n\u0131n ad\u0131n\u0131n da yer ald\u0131\u011f\u0131 kitabe iki yay ve ok\u00a0\u00a0imgeli boynuzlarla bezeli ba\u015f\u0131n\u0131n\u00a0 hizas\u0131nda yer almaktad\u0131r. Bu sahnedeki g\u00f6rsel i\u00e7erikler \u00a0Alevili\u011fin;<\/p>\n

\u00a0\u201cG\u00fczel a\u015f\u0131k cevrimizi<\/em><\/p>\n

\u00a0 \u00c7ekemezsin demedim mi ,<\/em><\/p>\n

\u00a0 Bu bir r\u0131za lokmas\u0131d\u0131r<\/em><\/p>\n

\u00a0 Yiyemezsin demedim mi<\/em>\u201d<\/p>\n

\u00a0 A\u015f\u0131k Muhsuni’nin dillendirdi\u011fi;<\/p>\n

\u00a0\u201cKanad\u0131m de\u011fdi sevdaya ,<\/em><\/p>\n

\u00a0 Kondum, kondum u\u00e7amad\u0131m,<\/em><\/p>\n

\u00a0\u00a0A\u015fk \u015farab\u0131n \u00a0doya doya ,<\/em><\/p>\n

\u00a0Yand\u0131m, yand\u0131m i\u00e7emedim\u201d<\/em>\u00a0,<\/p>\n

Yunus Emre’nin “Bir sakiden i\u00e7tim \u015farap, ar\u015ftan y\u00fcce meyhanesi, Ol sakinin mestan\u0131y\u0131z canlar onun peymanesi”<\/strong><\/em> dizeleriyle \u00f6rt\u00fc\u015fmektedir.Buradaki \u015farap veya dem Hakk\u0131n \u00f6z\u00fcmsenmesidir. Yukardaki resme dikkat edilirse Kral Warpalavas tanr\u0131n\u0131n kar\u015f\u0131s\u0131nda mestane ve peymane (Hakk\u0131n varl\u0131\u011f\u0131, kelam\u0131 , demi ve \u00a0\u00f6z\u00fcyle dolu)\u00a0bir duru\u015fla betimlenmi\u015ftir.<\/p>\n

Anadolu\u2019da bir halk s\u00f6z\u00fc Peygamber Muhammed\u2019in Mira\u00e7ta Allah\u2019a bir arpa boyu kadar yakla\u015ft\u0131\u011f\u0131n\u0131, baz\u0131 hadisler \u00a0ise\u00a0iki yay aral\u0131\u011f\u0131 mesafesinde yakla\u015ft\u0131\u011f\u0131n\u0131 dillendirmektedir. Halk belle\u011finde yer etmi\u015f bu s\u00f6zler\u00a0 Hitit Kral\u0131 Warpalawas ile Tanr\u0131 Tarhun’nun d\u00fc\u015fsel mirac\u0131n\u0131 yans\u0131tan yukar\u0131daki resim\u00a0gibi,kadim an\u0131tlara yans\u0131t\u0131lan mira\u00e7 sahneleriyle \u00f6rt\u00fc\u015fmektedir.<\/p>\n

Tanr\u0131n\u0131n aya\u011f\u0131n\u0131n alt\u0131ndan \u00e7\u0131kan bu\u011fday ba\u015faklar\u0131 \u0130\u00e7 Anadolu\u2019da onun \u00a0Taru ad\u0131 temelinde \u201cduru\u201d veya durum ,kunduras\u0131 temelinde\u201ckonduru bu\u011fday\u0131\u201d ad\u0131yla an\u0131lmaktad\u0131r. Hititler D\u00f6neminde geni\u015f \u00f6l\u00e7ekte Tarhunta\u015f\u015fa, mahalli olarak Pirindu ad\u0131na konu olan b\u00f6lgedeki tanr\u0131, halk\u0131na r\u0131z\u0131k ve lokmalar\u0131 esirgemiyen \u00a0Lokman-\u0131 Perende imgesindedir..<\/p>\n

Not:(1)-Samuel Noah Kramer. S\u00fcmerlerin Kurnaz Tanr\u0131s\u0131 Enki .Kabalc\u0131 Yay\u0131nevi\u00a0\u0130stanbul 2000.\u00a0sf. 246-251<\/p>\n","protected":false},"excerpt":{"rendered":"

M\u0130RACIN EVRENSEL\u00a0 K\u00d6KEN\u0130 \u00a0VE\u00a0 \u00a0GE\u00c7 H\u0130T\u0130T ANITLARINDA B\u0130R M\u0130RA\u00c7 SAHNES\u0130 Kemal SOYER .Y.Mimar. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 K\u00fclt\u00fcr ve Tabiat Varl\u0131klar\u0131n\u0131 Koruma Eski Genel M\u00fcd\u00fcr\u00fc (Telif haklar\u0131 taraf\u0131ma ait olup izinsiz al\u0131nt\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":3242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kadence_starter_templates_imported_post":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/posts\/3241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3241"}],"version-history":[{"count":80,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/posts\/3241\/revisions"}],"predecessor-version":[{"id":9440,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/posts\/3241\/revisions\/9440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=\/wp\/v2\/media\/3242"}],"wp:attachment":[{"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yolunezeli.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}